January 9-11, 2026
This exciting annual event features readings of five new plays in varying stages of development. Playwrights, directors, and actors join us from all over the country. Each reading is followed by a post-performance discussion.
FULL FESTIVAL PACKAGES ARE ON SALE NOW.
Friday, Jan 9th
Friday, January 9 at 3pm
THE WAY NORTH
by Tira Palmquist
Directed by Marya Mazor
When a lost, cold, and very pregnant Agnes stumbles on to a rural homestead in the Minnesota wilderness, Freddy Hanson doesn't hesitate to take her in. As the county's former sheriff, Freddy has dedicated her life to doing the right thing, to protecting and serving others. But when her new guest turns out to be a Sudanese refugee making a run for the Canadian border, the question of what it means to protect and serve becomes more complicated, and far more dangerous.
Friday, January 9 at 7pm
FAT MAN’S
by Matthew Webster
Directed by J. Barry Lewis
When Winnie, a progressive small-town minister, inherits a building that houses a down-and-out tattoo parlor, she clashes with its grumpy owner, Fat Man. Their unlikely bond grows from conflict into friendship, but looming life changes threaten to unravel their friendship, their jobs, and the community itself. Fat Man’s is a heartfelt play about love, tattoos, and finding grace in unexpected places.
Saturday, January 10th
Saturday, January 10 at 3pm
Provenance
by Jennifer Maisel
Directed by Casey Stangl
The life of a sensual, unusual portrait from its beginnings in early 1900s German society, through its theft by the Nazis and its subsequent travels around the world. Canvas. Pencil. Paint. How can one piece of art tear at the hearts of generations?
Saturday, January 10 at 7pm
How Should a Conversation Be?
by Malena Pennycook
Directed by Lily M. Wolff
When Terry and Kati meet over coffee, their conversation is stilted but it's love at first sight. As the years go quickly by, their "conversation" continues and the two try, fail, and try again to find the right language for a meaningful connection. A profound, moving, and theatrically bold exploration of LGBTQ love that asks, "If every relationship is an ongoing conversation...how should that conversation be?"
Sunday, January 11th
Sunday, January 11 at 1:30pm
Playwrights Roundtable
Sunday, January 11 at 3pm
Bobby Robotowitz & Allison Portchnik
by Matt Schatz
Directed by: Liz Fisher
A struggling novelist and mother turns to a chatbot for writing help and a little emotional support. Soon the bot becomes her collaborator, confidant, and something that's difficult to define. What begins as comic relief spirals into a sharp, darkly funny exploration of creativity, connection, and how we use machines to get through the day.
ALL PLAYS SUBJECT TO CHANGE
Perlberg Festival of New Plays
Executive Producer: Diane PerlbergAssociate Producers: Sandra and Bernie Meyer
Sponsored in part by the Maurer Family Foundation, and the Mayotte Foundation in honor of Mark Perlberg
Learn about the History of New Play Development at PBD.


MARK
PERLBERG
1956 - 2025
Mark was beloved by Palm Beach Dramaworks. He was one of the company’s greatest advocates, whose boundless enthusiasm and generosity were key to PBD’s success from the moment he joined the board (in the 2006-07 season), which he would eventually chair for six years. He was involved in so many aspects of PBD, but his passion was new plays.
He explained why the festival became so important to him and Diane.
“Plays are meant to be seen, and it’s very, very hard to make that happen. I realized there were all these extremely talented people struggling to get their work produced or make a living as playwrights. Diane and I both felt very strongly that any contribution we could make that would allow talented people’s work to be seen was our No. 1 priority: New works are the lifeblood of theatre.”
“The Perlberg Festival of New Plays has become an indispensable launching pad for new plays in the American theatre. Infused with the generous guiding spirit of Mark Perlberg, the festival offers playwrights both a dynamic collaborative ethos and a coveted testing ground for the urgent work in front of them. My play came to life in their hands.” -Steven Dietz
Perlberg Festival
Look What You Missed Last Year

